On the Lash

In honor of Irish traditional music, On The Lash creates timeless sounds through original voices. With new takes on classic songs and original constructions of established standards, OTL aims to explore the inherent energy and versatility of the genre. Dynamic musicality, powerful vocals, and charming authenticity are united in this group of four friends sharing the great breadth of emotion uniquely expressed in the tradition.

 

All graduates of Western Michigan University’s music program, each member of On The Lash has a unique, yet complimentary background in folk and classical styles.

Elizabeth June (flute/vocals) grew up learning classical flute, but she also had the unique experience of having a large family full of passion for folk music. With her dad on the banjo, mom on upright bass, and 10 siblings covering practically every instrument in-between, she began singing and playing from a very young age with her family’s bluegrass band. Going on to earn a master's degree in flute performance from the University of Michigan, OTL has allowed her to exercise fully her passions for flute, voice, and folk music.

Joel Tyrone Myers (mandolin) started on fiddle as a young lad playing with the Chelsea House Orchestra, gaining a love and admiration for Irish music at the outset of his music career. Over the years, he discovered a passion for composition and songwriting, which has led to his writing and arranging a majority of the music for OTL.

John Robey (fiddle/stomp) began learning classical violin around seven years old, and it wasn't until he was fourteen that he began diving into modern styles and improvisational techniques in his church's worship band. It was this development that first kindled a desire for a non-classical music career, which manifested into his current trajectory in Celtic music.

Patrick Hartson (guitar/bass) started out in music playing cello not only classically, but also in fiddle club learning various styles of Irish dance tunes. He then went on to earn multiple advanced degrees in cello performance from DePaul University following his time at WMU. Along the way, he picked up guitar as a secondary instrument, opening the door to playing in bands in genres from metal to rock and ultimately back to his roots in Celtic.